Nozomi
SATO Curriculum Vitae@
nozomisato@keio.jp
February 17, 2016
Department
of Musicology
Keio University,
Hiyoshi Campus
4-1-1
Hiyoshi, Kohoku-ku, Yokohama, 223-8521 JAPAN
Tel.:
+81-45-566-1359; Fax: +81-45-566-1361
(Currently
Visiting Professor, School of Music, the University of British Columbia, Vancouver, Canada)
Education:
2005 Ph.
D. in Musicology, Tokyo University of the Arts
1994-1996 Ruhr
University Bochum, Doctorate Course, Musicology
1992-1996 Tokyo
University of the Arts, Doctorate Course
1988-1992 Tokyo University of the
Arts, M. A. Course, 1988-1992, M. A. in Musicology, 1992
1989-1991 University
of Cologne, M. A. Course, 1989-1991
1984-1988 Tokyo
University of the Arts, B. A. Course, 1984-1988, B. A. in Music, 1988
Academic
Positions
2007- Professor,
Keio University, Department of Musicology, Hiyoshi Campus
2002-2007 Associate
Professor, Keio University, Department of Musicology, Hiyoshi Campus
1999-2002 Senior
Assistant Professor, Keio University, Department of Musicology, Hiyoshi Campus
1999-2003 Adjunct
Lecturer, Tokyo University of the Arts
1996-1999 Assistant
Researcher, Tokyo University of the Arts
1992-1994 Toho
College of Music, Adjunct Lecturer (October 1992-March 1994)
Visiting
Positions
March 2016- Visiting
Professor in Musicology, School of Music, The University of British Columbia,
Vancouver, Canada
2003-2004 Visiting Scholar
(Gastwissenschaftler), Albertus Ludwig University, Freiburg, Germany
1998 Visiting
Scholar, Eastman School of Music, University of Rochester, New York
Professional Service and Appointments
Chair of East Japan Section,
Musicological Society of Japan (2011-2013 and 2015-)
Chair of Executive Committee of the 20th
Quinquennial International Musicological Society Congress in Tokyo, 2017
(2014-)
Chair of Research Board gHigher Education
Curriculum,h Research Center for the Liberal Arts, Keio University
(2011-2015)
Vice-Director, Research Center for the
Liberal Arts, Keio University (2005-2008)
Coordinator, Member of the Project Board,
Research Center for the Liberal Arts, Keio University (2002-2005)
Head of the Committee Office, Organizing
Committee, International Congress of the Musicological Society of Japan - In
Celebration of the 50th Anniversary (IMJ 2002) in Shizuoka, November
2-5 2002, (1999-2002)
Editorial Board of Annual Report
of the Japan Organ Society (1996-2001)
Honors and
Fellowships
Keio University, Faculty of Business and
Commerce, Education & Media Award, gContribution to the Music Education in Hiyoshi
Campus,h July 2008
Fellow of Salzburg Seminar Session 387,
gMuseum in the 21st Centuryh (May 2001)
Scholar of DAAD (German Academic
Exchange Service) (1994-1996)
Scholar of the Rotary Foundation,
Rotary International (1989-90)
Research
Projects
Current Research Project: 1) The Theological
Implications of German Protestant Music, ca. 1600-1750; 2) Music in the Liberal
Arts Education Curriculum of North American Universities
Research Project gTheological Disputation on
Music in the Protestant Germany ca. 1600-1750,h Grand-in-Aid for Scientific
Research (B), JSPS (2006-2008)
Member of gHyper Digital Research Projecth
(Developing of Hyper Digital Interface System ghydih), gAcademic Frontierh
Project of Ministry of Education, Culture, Sports, Science and Technology
(2005-2008)
Member of Research Project on gLiberal Arts
and General Education of Japanese Universities and Colleges,h Commissioned
Research Project of Ministry of Education, Culture, Sports, Science and
Technology (2001-2002)
Member of Research Project on gFunctions of
Public Performing Arts Hall in the Context of Social and Continuing Education,h
Grand-in-Aid for Scientific Research (B), JSPS (2000-2004)
Courses Taught
Keio University (1999-):
History of Baroque Music; History of Orchestral Music;
History of Western Choral Music; History of Opera; Keio Collegium Musicum
Academy Vocal Music (Historical Performance Practice); Introduction to Music Theory;
General Education Seminar for Business Students, gExploring Musich; gAcademic
Skillsh (Pre-Seminar for Research Works, Japanese and English classes);
Introduction to Musicology, etc.
Tokyo University of the Arts (Adjunct)
(1997-2003, 2004-2005, 2014):
History
of Keyboard Music; General History of Western Music; Introduction to Research
of Musical Sources
Miyagi Gakuin Womenfs University (2005-2014)
(Adjunct):
History
of Keyboard Music
Toho College of Music (Adjunct) (1992-93):
History
of Orchestral Music; History of Opera; Musicology Seminar
Research Publications, Presentations,
and Lectures (Selected)
(All publications are in Japanese
otherwise stated.)
BOOKS
Rethinking Baroque Music, Tokyo:
Ongaku no Tomo Sha, 2015. (forthcoming)
The Typology of Instrumental Music in German Music
Theory Writings, ca. 1650 - 1750, Tokyo: Keio University Press, 2005.
Academic Skills: An Introduction to the
Research Works for University and College Students, (main author Nozomi Sato,
co-authors: Takeshi Yukawa, Chiaki Yokoyama, and Akihiko Kondo), Keio
University Press, 2006. (Revised edition: 2012)
DEGREE THESISES
The Typology of Instrumental Music in German
Music Theory Writings, ca. 1650 - 1750, Ph. D. thesis, Tokyo University of the
Arts, 2005.
Keyboard Music in the Seventeenth-Century
Netherlands: Repertoire of Free Compositions and Problem of Genre, M. A.
thesis, Tokyo University of the Arts, 1992.
Organological Study on J. S. Bach's Organs,
B. A. thesis, Tokyo University of the Arts, 1989.
ARTICLES IN BOOKS AND JOURNALS
gClavier Übung III,h gOrgan Inspection,h
gPartita,h gCapriccio,h gFriedrich Erhard Niedt,h gFriedrich Wilhelm Marpurg,h
gSilbermann,h gSchnittger,h gStylus phantasticus,h gStyle galant,h gStile brisé,h gStile antico,h and
gSinfonia,h entries for Cambridge Bach
Encyclopedia, Yo Tomita ed., London: Cambridge University Press, 2015. (forthcoming)
gTheologische
Disputationen über Kirchenmusik und die darauf bezogenen Reaktionen der
Musiktheorie im protestantischen Deutschland zwischen 1650 und 1750.h In:
Jochen M. Arnold, Konrad Kuster und Hans Otte eds., Singen Beten, Musizieren: Theologische Grundlagen der Kirchenmusik in
Nord- und Mitteldeutschland zwischen Reformation und Pietismus (1530-1750).
Göttingen:
V&R Unipress. 2014. (German)
gTheological Disputations on Church Music in
the Protestant Germany 1713-1732,h The
Hiyoshi Review of the Humanities, No.28 (2013): 53-72.
gWie hat man zur Zeit
Bachs die Kirchenmusik gehört?: Eine Skizze der Auseinandersetzungen in den
Predigten, theologischen, und musiktheoretischen Schriften,h lecture at the
Ringvorlesung gMusik und Geschichteh Symposiums-Wochenende zu Ehren von Werner
Breig, Universität der Künste Berlin, Berlin, Germany, December 9, 2012.
(German, publication in preparation)
gJohann Sebastian Bach:
Dritter Teil der Clavier Übung,h CD Booklet, Naoko Imai (Organ), ALM Records,
ALCD-1041-1042, 2003. (Japanese, English and German)
gOn ethe Grand Design for the Liberal Arts
Education for the Higher Educationf: A Research Report of the eLiberal Arts
Education Research Projectf of the Ministry of Education of Japan,h Mita Hyoron, December 2002: 35-40.
gEmancipation of the Instrumental Music as a
Turning Point of the Epoch,h Musicology
Forum in the New Century: Music in the Tuning Point of the Epoch,
Festschrift Ichiro Sumikura, 2002, pp. 136-147.
gArticulation Problems in the Keyboard Music
of J. S. Bach and his Contemporaries,h Annual
Report of the Japan Organ Society, XXVIII (2000): 15-26.
gHeinrich Schütz:
Geistliche Chormusik, Die sieben Worte Jesu Christi am Kreutz,h CD Booklet, Bach
Collegium Japan, directed by Masaaki Suzuki, BIS, BIS-CD-831/832, 1997. (English, German and French)
gThe Concept of eInstrumental Musicf in
German Music Theory of the 17th and Early 18th
Centuries,h Ongakugaku (Journal of the
Musicological Society of Japan), XLIII (1997): 81-98.
gZur Gattung eFreie Kompositionf der
niederländischen Claviermusik um die Zeit Sweelincks,h Ongakugaku (Journal of the Musicological Society of Japan), XXXVIII
(1992): 98-117. (German with summary in Japanese)
gReconsideration on J. S. Bach's Ideal
Organ,h Annual Report of the Japan Organ
Society, XVI (1989): 51-65.
LECTURES, ORAL PRESENTATIONS, AND OTHER
PUBLIC ACTIVITIES
gArousal of the eInwardnessf and the
eTheaterizatonf of Church Music around 1700: an Observation on the Relationship
of German Protestant Theology and Music,h Round Table A, gTransforming Religion
and Music at the Turn of the 18th Century, Comparison of Situations
in Germany, France and Italy,h 61st Annual Meeting of Musicological
Society of Japan, Keio University Mita Campus, November 2, 2013.
gTheologische
Disputationen über Kirchenmusik und die darauf bezogenen Reaktionen der
Musiktheorie im protestantischen Deutschland von 1661-1745,h Tagung,
Theologische Grundlagen der Kirchenmusik im protestantischen Kontext
(1525-1725); Evangelisches Zentrum für Gottesdienst und Kirchenmusik;
Michaeliskloster Hildesheim, Germany, December 18, 2009. (German)
gOrgan Dedication Sermons of the German
Lutheran Churches in the Baroque Era: Interpretations of the Theological
Meaning of Music,h 60th Annual Meeting of the Musicological Society
of Japan, Osaka University, October 24, 2009.
gBach Researches in the Future,h Roundtable
1: gBach and the 21st Century,h the 56th Annual Meeting
of Musicological Society of Japan, Meiji-Gakuin University, October 23, 2005.
gJapanisches
Hochschulsystem: Vergangenheit, Gegenwart und Zukunft,h Vortrag,
Japanisch-Deutsches Forum der Freunde des DAAD 2005, gDer fliegende Hörsaal
oder das Ende vom Lied: Die Hochschulen in Japan und Deutschland im 21. Jh., organized by DAAD Alumni
Club Japan, Meiji Gakuin-University Kohoku-ryo, March 26, 2005. (German)
gOn the Evaluation Methods of the Public
Performing Arts Hall in Japan,h Symposium of the Hiyoshi Performing Arts Hall
Project: gPublic Performing Arts Hall in the 21st Century,h Keio
University Hiyoshi Campus, July 20, 2003.
gJapan and Western Music,h Presentation,
Salzburg Seminar Freeman Foundation Symposium 2002: gEast Asia and United
Stats: A Search for Common Value,h Session gCultural Impressions ‒Asia and the United States,h Schloss
Leoportskron, Salzburg, June 2, 2002. (English)
gOn the Transcriptions and Arrangements of
the Trio Sonatas by J. S. Bach,h Response to the Presentation of David
Schulenburg, gPerforming Bachfs Musical Offering: Questions for the Keyboard
Player,h Symposium of the Kanto Brach Meeting of the Musicological Society of
Japan, Keio University, Hiyoshi Campus, January 10, 2002. (English)
gHistorical Development of Keyboard
Technique,h Lecture, Summer Seminar of Research Group of the Musical Acoustics,
the Acoustical Society of Japan, Act City Hamamatsu, September 21, 2001.
gJ. S. Bach as Organist: from Church Organist
to True Composer,h lecture concert, organ: Megumi Yoshida, lecture: Nozomi
Sato, September 23, 2000, Ryutopia Concert Hall, Nigata.
gThe Concept of eInstrumental Musicf in
German Music Theory of the17th and Early 18th Centuries,h
48th Annual Meeting of the Musicological Society of Japan, November
2, 1997.
gTypologie der
Instrumentalmusik in den deutschen musiktheoretischen Texten des 17.
Jahrhunders,h Presentation at the Colloquium Sommer Semester 1995,
Musikwissenschaftliches Institut der Ruhr-Universität Bochum, July 4, 1995.
Commentary in the Radio Program of Classical
Music, gThe Best of Classics,h NHK, National Broadcasting, July 16‒20, 2000; December 11-14, 2000; July 24-25,
2001; December 10-13, 2001; gClassical Muisc Abroad,h March 24, 2002; March 16
2003.
TRANSLATIONS
Keyboard Music of Johann Sebastian Bach, by
David Schulenberg, translation: Nozomi Sato and Sachiko Kimura, Tokyo:
Shogakukan, 2001.
119 Articles including gLow Countries,h gW.
C. Printz,h gVincent Lübeck,h and gHenry Roseh in the Japanese Edition of the New Grove
Dictionary of Music and Musicians, Tokyo: Kodansha, 1992-1994.
70 Articles including gSuite,h gFuge,h
gNotation,h in the Japanese Edition of the Metzler
Musiklexikon, Tokyo: Kyoiku Geijutsu Sha, 2006.
Performance Activities
2000-present: Co-Director
of Keio University Collegium Musicum, Conductor of Academy Vocal Ensemble
1992-present: Organist,
Asagaya Church, United Church of Japan, Asagaya, Tokyo.
Recent Concerts (Selected)
Memorial Concert for the Victims of 3.11
Earthquake and Tsunami Desaster, Songs of Miyazawa Kenji and Akira Miyoshi:
Ballades to the Earth for Mixed Choir, Keio University Collegium, Academy Vocal
Ensemble, conductor: Nozomi Sato, Nahan Plaza, Hanamaki City, Iwate Prefecture
February 7, Ozuchi Tasukeai Center, Ozuchi City, Iwate Prefecture, February 8.
Heinrich Schütz: Magnificat, Stücke aus
gSymphoniae Sacrae IIIh, Keio University Collegium Academy Vocal Ensembre and
Ensemble Milim, conductors: Nozomi Sato and Takuza Nemoto,; Keio University
Hiyoshi Campus Kyoseikan Music Hall, October 11, 2016.
Dieterich Buxtehude: Membra Jesu Nostri,
Regular Concert of Keio University Collegium Academy Vocal Ensembre, conductor:
Nozomi Sato, Asagaya Church, Tokyo, February 28; Keio University Hiyoshi Campus
Kyoseikan Music Hall, March 1, 2015.
Homage to Akira Miyoshi, eThe Weathercockf and eA Top of Acornf from Akira Miyoshi, gFive Pictures for Children for Mixed Choir and Piano,h gBallades to the Earth for Mixed Choir,h January 15, 2015, Keio University Collegium Academy, Regular Class Chorus and Academy Vocal Ensemble, conductor: Nozomi Sato, January 15, 2015, Keio University Hiyoshi Campus Kyoseikan Music Hall.
Johann Sebastian Bach, Mass in B-Minor, Keio
University Collegium Mass B-Minor Project Orchestra and Vocal Ensembre,
conductor: Akira Ishii, chorus instructor and organ basso continuo: Nozomi
Sato, Asagaya Church, Tokyo, January 5, 2012; Keio University Hiyoshi Campus
Kyoseikan Music Hall, January 7, 2012.